*note: part of this post was written last night before I accidentally fell asleep, so plz ignore any weird time jumping
An excellent jam-packed weekend is currently coming to a close as I sit in bed awkwardly typing this, a mug of tea precariously balanced against my solar plexus and my elbow on a stack of books + catalogues. My only wish is that it were warm enough to have the window open. But still! I do believe that Spring (when it's not making me sneeze/puffing up my eyes very attractively--due to, as I found out this evening, city landscapers' overuse of highly-allergenic trees) is waking me up. AND this coming week is bringing all sorts of bestie friends to me from all over the world! Have been feeling really alive lately, overall.
Have also been on a Nabokov kick--was reading his short stories for awhile and am now halfway through Speak, Memory (his autobiography). I'd been meaning to read the latter for a really long time, having had it recommended to me by multiple teachers and friends and random acquaintances, and now I understand why: it's fucking brilliant (for a variety of reasons I won't go into now, bc really, does the internet need another amateur book review?).
So yes, I'm loving Speak, Memory because it's a universal classic. But there is also something about Nabokov's writing that has always personally clicked with me; mostly, I think it is his lyricism and use of image, through which he somehow manages to dilate the reader's mind in a very precise way--each of his best metaphors I think can be seen as very tiny, carefully-chosen apertures that, when peered through by the reader, open (paradoxically) onto a breathtakingly-wide field of view.
Monday, April 12, 2010
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